Happy Hallow's eve

Now here's the musical equivalent of apples and razorblades.

Which is to say it's a return to form of doomed folk and sludge paced blues. So this holiday season if you need the sound of party and melancholy but on fire in a trash can lighting up a back alley of regret, look no further.

TRICK OR TREAT

Once more with doom.

So with summer just about dead here's a new release. No it's not a full scale release just a single I felt compelled to record, and a cover at that. Continuing for just a little bit more the detour into drone, Misery Index's opening salvo off their 2003 album Retaliate. Rearranged as a suffocating trudging swamp beast of doom, that ends in audio contemplation and fire peeking through the cracks in this dark tunnel. It bookends a few things creatively that will clear the way for the next release, which is currently being recorded. Otherwise take a listen because this will not be seeing a physical release.
                                                 End Credit Blighters version here.

                                              Original composers and Grind Gods here.  

En route

'Honor the beast ... though by the doing, we die a little more' - Mike Mignola via Hellboy.

Previously on End Credit Blighters

Merchandising

It's either this or Hobo Knife Fights

 Let's get this self-serving music project party underway. 

Earhole Missile Records 

For all your physical End Credit Blighters needs. Hand crafted artwork, including the Immolations I on cassette and all previous material on CD. Just look at them. 

Now buy something or get out. 

Something heavy this way comes

Available today in digital format End Credit Blighters presents: Immolations Volume I. 
A departure from the folk and noise ramblings of previous releases this is a full on suffocating  minimalist drone album, in the vein of earlier SUNNO))) or Dylan Carlson's solo efforts. 

 Available on cassette at the Boston Hassle Black Market on sunday. News about an actual store for physical copies shortly. 

So why the drone album? Will there be more stomp happy folk blues or is it all this boring doom from here on out? Hey questions, I posed to myself, slow down. This album is a meditation on turning 30 and a farewell to certain aspects of me and my youth. It is also a really extreme way to shift the direction of End Credit Blighters using this as a bridge to a more doom and blues sound.
That being said there's some interesting stuff on the way. Stay tuned.